The Comics and Graphic Narratives Forum will be sponsoring three panels at MLA 2021, 86. New Flashpoints in Comics History, 396. Comics and Graphic Narratives for Young Audiences, and 636. Decolonizing Comics and/as Activism. Also, check out all the other comics-related panels at MLA 2021. 86 – New Flashpoints in Comics History Thursday, 7 January 2021, 1:45 PM – 3:00 PM Description Participants share work that identifies moments in comics history that have been overlooked. They discuss how American and transnational comics histories have been shaped by cultural conflict and exchange, the comics industry and its discontents, and changing technologies of production. Presider: Margaret Galvan,Read More →

The Comics and Graphic Narratives Forum will be sponsoring two panels at MLA 2020, 325. Webcomics and/as Digital Culture & 587. A Decade in Comics. Also, check out all the other comics-related panels at MLA 2020.Read More →

012: Comics Fandom in Transition 12:00 PM–1:15 PM Thursday, Jan 3, 2019  Hyatt Regency – Roosevelt 3 1: Fandom as Import and Export in the Digital Age: Dojinshi, Comiket, and Fujoshi around Latin American Boys’ Love Camila Gutierrez, Penn State U, University Park 2: Hi-Diddly-Ho, Tetsuo! How Bartkira’s Fandom Reimagined and Remixed Akira and The Simpsons Charles Acheson, U of Florida 3: ‘The Concrete Representation of Our Most Subtle Feelings’: Comics Fandom in the Digital Era Jaime Weida, Borough of Manhattan Community C, City U of New York 4: The Hybrid Lettercol: Ms. Marvel and #KamalaKorps Leah Misemer, Georgia Inst. of Tech. Presider Aaron Kashtan, U of North Carolina, Charlotte   528: MakingRead More →

Panels run by the Comics and Graphic Narratives Forum Thursday January 4 Connecting the Dots: Museums and Comics 7:00–8:15 p.m., Sutton Center, Hilton Presiding: Nhora Lucia Serrano, Hamilton C “At Home in the Museum,” Catherine Labio, U of Colorado, Boulder “Paracomics: Art as Comics,” Vasilios Kartalopoulos, New School “Tintin in the World of the Artifact: Authenticity and Artifice, Colonialism and Copyright,” Katherine Kelp-Stebbins, Palomar C “‘There’d Be a Hanging’: Community as Art Gallery, Comic as Museum in Gilbert Hernandez’s Human Diastrophism,” Osvaldo Oyola, New York U Friday January 5 Teaching Global Arab Comics in the United States 5:15–6:30 p.m., Concourse G, Hilton Collaborative session—GS Comics andRead More →

Saturday, 7 January 581. Alien Lines: Science Fiction Comics 1:45–3:00 p.m., Grand Ballroom Salon A, Philadelphia Marriott Program arranged by the forums GS Comics and Graphic Narratives and GS Speculative Fiction Presiding: Aaron Kashtan, Univ. of North Carolina at Charlotte 1. “Don’t Let Them Touch and Despair You: World Construction in the World of The Wrenchies and It Will All Hurt,” Phoebe Salzman-Cohen, Penn State Univ., University Park 2. “‘This Is How an Idea Becomes Real’: Bodies in Saga,” Daniel John Pinti, Niagara Univ. 3. “‘I’m Getting Too Good to Ignore’: The Feminist Politics of Sharon Ruhdal’s Dystopian Comics,” Margaret Galvan, New York Univ. 4. “Feeling The Puma Blues: The DilutionRead More →

Friday, 8 January Satire and the Editorial Cartooon 5:15-6:30, 311, JW Marriott Saturday, 9 January Latina/o Comics 10:15–11:30 a.m. JW Marriot , Lone Star C Charlie Hebdo and Its Publics 10:15–11:30 a.m. JW Marriot , Lone Star C See you in Austin! (see earlier post for more details)Read More →

Friday, 8 January Satire and the Editorial Cartoon 5:15–6:30 p.m. Program arranged by the Forum GS Comics and Graphic Narratives Presiding: Nhora Lucia Serrano, Harvard Univ. “The Radical Genealogy of the Editorial Cartoon,” Frank A. Palmeri, Univ. of Miami “Between Words and Pictures: Telling the Graphic Story of United States Slavery in Abolitionist Satirical Cartoons,” Martha J. Cutter, Univ. of Connecticut, Storrs “Punch, Counterpunch: Mimicry, Parody, and Critique in the Colonial Public Sphere,” Tanya Agathocleous, Hunter Coll., City Univ. of New York “Pulling John Chinaman’s Queue to Get Him in Line: Domesticating Gestures in Nineteenth-Century PunchCartoons,” Joe Sample, Univ. of Houston, Downtown Saturday, 9 January Latina/o ComicsRead More →

Session 657. Cash Bar Arranged by the Discussion Group on Comics and Graphic Narratives Saturday, 5 January, 7:00–8:15 p.m. Independence West, Sheraton Boston … Please join us for this cash bar and informal get-together! We are eager to meet with everyone at MLA who is interested in comics studies. Members of our Executive Committee will be on hand to chat about our future plans, ideas for programming and community-building, and the further growth of comics studies both at the MLA and across academia. We invite your input, and hope to connect with you! For an overview of all MLA 2013 sessions organized by the DiscussionRead More →

Session 504. New England DIY (Do-It-Yourself) Comics Saturday, 5 January, 12:00 noon–1:15 p.m. The Fens, Sheraton Boston Presiding: Martha B. Kuhlman, Bryant Univ. DIY (Do-It-Yourself) comics and “minicomics” are distinct from the more familiar graphic novel in at least two fundamental respects: they are relatively cheap to produce, and they sell for little money or are entirely free. Liberated from the typical economic imperatives of mass appeal and marketability, minicomics have the potential to be more spontaneous, rebellious, personal, and experimental than longer-form graphic novels—and yet they are rarely studied due to their ephemeral nature. With a regional focus befitting our Boston locale, New EnglandRead More →

Session 303. Graphic Lives in Wartime Friday, 4 January, 1:45–3:00 p.m. The Fens, Sheraton Boston Program jointly arranged by the Division on Autobiography, Biography, and Life Writing and the Discussion Group on Comics and Graphic Narratives Presiding: Linda Haverty Rugg, UC Berkeley; Joseph (Rusty) Witek, Stetson Univ.… 1. “Joe Sacco on Joe Sacco” Julia Watson, Ohio State Univ., Columbus Joe Sacco’s graphic memoirs trace a space between documentary journalism and the affective power of eyewitness testimony. They problematize the relationship of history and memory even as they take up unofficial and neglected histories and gloss them via the powerful and moving detail of visual images.Read More →