Margaret Galvan

New Flashpoints in Comics History Call for Papers for a guaranteed roundtable panel sponsored by the Forum for Comics and Graphic Narratives at the Modern Language Association (MLA) Annual Convention, January 7-10, 2021 in Toronto, ON. “For all the vibrant scholarship emerging around comics today, the medium remains a largely unplumbed and uncanonized field of texts you’ve never heard of.” —Ramzi Fawaz, “A Queer Sequence: Comics as a Disruptive Medium” (2019) Certain moments in comics have been regarded as pivotal in our histories and often bear repeating in scholarship, including R. Crumb’s shaping of the underground and subsequent movements through publishing Zap Comix in 1968;Read More →

Decolonizing Comics and/as Activism Call for papers for a non-guaranteed proposed session at the Modern Language Association (MLA) Annual Convention on January 7-10, 2021, in Toronto, Canada. This panel is sponsored by the Comics and Graphic Narrative Forum. Academic histories of comics are too often colonial, in their focus on America, France, and Japan and in the aesthetic criteria they favor. Yet, when we tell history in this colonial, Eurocentric way, we leave out many perspectives, particularly those of colonized and indigenous peoples. Ken Coats defines global indigenous people through their activism when he says indigenous groups have a history of “participating in protests organizedRead More →

Comics and Graphic Narratives for Young Audiences This panel explores intersections between children’s literature and comics (including manga and graphic novels). All periods and nations welcome. Call for Papers for a proposed special session at the Modern Language Association (MLA) Annual Convention on January 7-10, 2021 in Toronto, ON. This collaborative panel is jointly sponsored by the Comics and Graphic Narratives Forum and the Children’s and Young Adult Literature Forum. Children’s comics and graphic novels have emerged as the dominant commercial force in the industry, with authors like Raina Telgemeier and Dav Pilkey selling millions of books. Yet comics studies still pays relatively little attention to comics for children.Read More →

Call for Papers for a proposed guaranteed session at the Modern Language Association (MLA) Annual Convention on January 9-12, 2020, in Seattle, Washington. This roundtable panel is sponsored by the Comics and Graphic Narratives Forum. On the ten year anniversary of panels sponsored by the MLA Forum for Comics and Graphic Narratives, this roundtable asks established and emerging scholars to reflect on the history, the present, and the future of the field of Comics Studies. We seek narratives on the formation and early years of the Forum, as well as perspectives on where the field and the Forum are headed. This intergenerational conversation explores developmentsRead More →

Call for Papers for a proposed special session at the Modern Language Association (MLA) Annual Convention on January 9-12, 2020, in Seattle, Washington. This panel is sponsored by the Comics and Graphic Narratives Forum. Webcomics are arguably the form of comics with the broadest reach, but scholarship on the subject has been sparse.  As a form that both takes advantage of the representational affordances of comics and the opportunities provided by the connectivity and lack of gatekeeping in the digital realm, webcomics present a rich source of possibility for comics scholars and digital media scholars alike, particularly when considering marginalized creators and characters. This panelRead More →

Call for Papers for a proposed special session at the Modern Language Association (MLA) Annual Convention on January 9-12, 2020, in Seattle, Washington. This collaborative panel is jointly sponsored by the Comics and Graphic Narratives Forum and the Screen Arts and Culture Forum. Comics and graphic narratives have long explored the nonhuman as allegorical representatives of the human experience. This panel examines the difference medium makes in adapting comics and graphic narratives for the screen, and how transmedia narratives of the nonhuman represent/challenge our understanding of humanity, for example: How does the change from drawn representations to human actors affect conceptualizations of the non-human? IsRead More →