Our two Forum panels this year (and our cash bar!) and some other panels to note:

Saturday, 7 January

581. Alien Lines: Science Fiction Comics

1:45–3:00 p.m., Grand Ballroom Salon A, Philadelphia Marriott

Program arranged by the forums GS Comics and Graphic Narratives and GS Speculative Fiction

Presiding: Aaron Kashtan, Univ. of North Carolina at Charlotte

1. “Don’t Let Them Touch and Despair You: World Construction in the World of The Wrenchies and It Will All Hurt,” Phoebe Salzman-Cohen, Penn State Univ., University Park

2. “‘This Is How an Idea Becomes Real’: Bodies in Saga,” Daniel John Pinti, Niagara Univ.

3. “‘I’m Getting Too Good to Ignore’: The Feminist Politics of Sharon Ruhdal’s Dystopian Comics,” Margaret Galvan, New York Univ.

4. “Feeling The Puma Blues: The Dilution of Science Fiction and the Decline of the Creator within Independent Comics’ Golden Age,” Keith McCleary, UC San Diego.

 

Saturday, 7 January

676. Cash Bar Arranged by the Forum GS Comics and Graphic Narratives

7:00–8:15 p.m., Franklin 4, Philadelphia Marriott

 

Sunday, 8 January

787. Graphic Narrative, Comics, and Temporality

1:45–3:00 p.m., Independence Ballroom Salon III, Philadelphia Marriott

Program arranged by the forum GS Comics and Graphic Narratives

Presiding: Martha B. Kuhlman, Bryant Univ.

1. “Past and Present Colors: Drawing Style as Temporal Framework in Comics,” Rikke Platz Cortsen, Univ. of Texas, Austin

2. “‘Paradise Now’: Messianic Time in the Iranian Graphic Protest Novel,” Charlotta Salmi, Univ. of Birmingham

3. “Drawing the Anthropocene? Intimacy and Antihuman ‘Deep Time,'” Aarnoud Rommens, Univ. of Liege

4. “Reading in the Deep: Time and the Z-Axis in Richard McGuire’s Here and Dan Clowes’s Patience,” Joshua Kopin, Univ. of Texas, Austin

 

Additional comics-related panels of note:

189. Reading and Seeing Modernism and Graphic Narrative: Form, Medium, Aesthetics

Friday, 6 January8:30–9:45 a.m., 111B, Pennsylvania Convention Center

A special session 

Presiding: Andrew Hoberek, Univ. of Missouri, Columbia

Speakers:Olivia Badoi, Fordham Univ.; Sheila Liming, Univ. of North Dakota; Ben Novotny Owen, Ohio State Univ., Columbus; John Paul Riquelme, Boston Univ.; Janine M. Utell, Widener Univ.

Responding: David M. Ball, Dickinson Coll.

 

285. Graphic Queer / Queer Graphics: Seriality and Sexuality in Graphic Form

Friday, 6 January12:00 noon–1:15 p.m., Independence Ballroom Salon III, Philadelphia Marriott

Program arranged by the forum TC Sexuality Studies

Presiding: Ramzi Fawaz, Univ. of Wisconsin, Madison

1. “Serial Sex: Intimacy as Method and the Polaroid’s Queer Aesthetic Legacies,” Ricardo Montez, New School

2. “Mapping Danny the Street: Theorizing Trans-temporality with Doom Patrol,” Kadin Henningsen, Univ. of Wisconsin, Madison

3. “The Pornographic Aesthetics of Fluidity in Comix,” Yetta Howard, San Diego State Univ.

4. “Desiring Blackness: A Motivated Reading of the Value of Black Panther,” André Carrington, Drexel Univ.

 

646. Placing Gender in the Graphic Novel

Saturday, 7 January5:15–6:30 p.m., Independence Ballroom Salon III, Philadelphia Marriott

Program arranged by the forum TC Women’s and Gender Studies

Presiding: Pamela Brown, Univ. of Connecticut, Stamford

1. “Cuba My Revolution: Una novela gráfica e histórica para mejor cumplir las políticas del mercado,” Mabel Cuesta, Univ. of Houston, University Park

2. “The Latent Image: Biopolitics and Diegetic Levels in Lila Quintero-Weaver’s Graphic Novel Darkroom: A Memoir in Black and White, in an Aesthetics and Human Rights Course,” Karina Elizabeth Vázquez, Univ. of Richmond

3. “Transnational Bodies and Gendered Representations in Operación Bolívar, by Edgar Clément, and La perdida, by Jessica Abel,” Tania Pérez-Cano, Univ. of Pittsburgh

 

650. Invisible Made Visible: Comics and Mental Illness

Saturday, 7 January5:15–6:30 p.m., Grand Ballroom Salon I, Philadelphia Marriott

A special session 

Presiding: Jessica Gross, St. Louis Coll. of Pharmacy; Leah Misemer, Univ. of Wisconsin, Madison

Speakers:Jeanine Ashforth, Univ. of South Florida; Elizabeth J. Donaldson, New York Inst. of Tech., Old Westbury; Keegan Lannon, Dominican Univ.; Claire Latxague, Université Paul Valéry, Montpellier 3

Session Description:

Panelists explore how the visual medium of comics paradoxically explores invisible mental illnesses by depicting internal emotional and mental states. They also consider the historical relation between comics and mental illness and discuss how comics can create communities of people who feel—or are—invisible within society at large.

 

281. “Leap Tall Buildings in a Single Bound”: Psychoanalysis, Comics, and Architecture

Friday, 6 January12:00 noon–1:15 p.m., 112A, Pennsylvania Convention Center

Program arranged by the American Psychoanalytic Association

Presiding: Vera J. Camden, Kent State Univ., Kent

Speakers:Frederik Byrn Køhlert, Univ. of Calgary; Jimenez Lai, Univ. of California, Los Angeles; Nick Sousanis, San Francisco State Univ.; Jon Yoder, Kent State Univ., Kent

Session Description:

Once considered pure pulp, comics now prevail in architecture studios, psychoanalytic institutes, and university classrooms, as well as in myriad public spaces. This session represents architecture, psychoanalysis, educational psychology, and literature to consider the ways that comics “bound” over disciplinary silos to capture buildings, bodies, and minds in lived environments.

 

27. Getting Religion: Children’s Literature as Sacred Text

Thursday, 5 January12:00 noon–1:15 p.m., 111B, Pennsylvania Convention Center

Program arranged by the forums GS Children’s and Young Adult Literature and TC Religion and Literature

Presiding: Lisa M. Gordis, Barnard Coll.; Karin E. Westman, Kansas State Univ.

1. “Intertwining Histories: Catechisms and the Emergence of Eighteenth-Century Children’s Literature,” Gabrielle Owen, Univ. of Nebraska, Lincoln

2. “Christian Science Children’s Fiction, 1900–10,” Anne Stiles, St. Louis Univ.

3. “Nazi Children’s Literature and the Formation of the Holy Reich,” Michael Lackey, Univ. of Minnesota, Morris

4. “Characterizing Religion: The Lives and Afterlives of Stock Religious Characters in Japanese Picturebooks from the 1950s to the Present,” Heather Blair, Indiana Univ., Bloomington

 

210. Graphic Narratives

Friday, 6 January8:30–9:45 a.m., 410, Philadelphia Marriott

Program arranged by the forum LLC Luso-Brazilian

Presiding: Cesar Braga-Pinto, Northwestern Univ.

1. “Superbacana: Songs, Graphic Narratives, and Social Tension in the Late 1960s in Brazil,” Carlos Pires, Universidade de São Paulo

2. “Comics Poetry and Poema/Processo,” Jonathan R. Bass, Rutgers Univ., New Brunswick

3. “Brazilian Quadrinistas and the Franco-Belgian Market of Science Fiction and Fantasy Graphic Novels: A Marriage of Convenience,” Henri-Simon Blanc-Hoang, Defense Language Inst.

4. “Graphic Spaces of Rights,” Leila Maria Lehnen, Univ. of New Mexico, Albuquerque

 

282. “I Die Daily”: Police Brutality, Black Bodies, and the Force of Children’s Literature

Friday, 6 January12:00 noon–1:15 p.m., 106B, Pennsylvania Convention Center

Program arranged by the Children’s Literature Association

Presiding: Michelle Hite, Spelman Coll.

1. “Postracial, but Not Postracism: The Romanticization of the Plantation South and the Whitewashing of History in Raina Telgemeier’s Drama,” Michelle Ann Abate, Ohio State Univ., Columbus

2. “The Promise and Challenge of History: Reckoning with Racism in Out of Darkness,” Ashley Pérez, Ohio State Univ., Columbus

3. “Runoff: Young African Americans with Disabilities in Landscapes of Sacrifice,” Elizabeth Anne Wheeler, Univ. of Oregon

4. “Brown Girls Dreaming: Violence, Narrative, and the Politics of the Interior,” Samira Abdur-Rahman, Univ. of Rochester

 

353. What Next? Adventures in Episodic and Serial Form

Friday, 6 January3:30–4:45 p.m., Franklin 11, Philadelphia Marriott

A special session 

Presiding: Katherine Fusco, Univ. of Nevada, Reno

Speakers:Jacquelyn Ardam, Colby Coll.; Katherine FuscoDonal Harris, Univ. of Memphis; Andrew Hoberek, Univ. of Missouri, Columbia; Heather A. Love, Univ. of South Dakota; Carter Neal, Indiana Univ., Bloomington

Responding: David M. Ball, Dickinson Coll.

Session Description:

The presentations query how historical moments give rise to the episodic or serial forms they need (or deserve?). With topics including modernist drama, Dada art exhibitions, children’s films, comic books, and the realist novel, the panelists use a PechaKucha format of automatically advancing slides—an innovative style fitting for a session on series and episodes.

 

475. Graphic Style and Big Data

Saturday, 7 January10:15–11:30 a.m., 104A, Pennsylvania Convention Center

Program arranged by the forum LLC 20th- and 21st-Century American

Presiding: Amy Hungerford, Yale Univ.

1. “Illusions of Progress: Visualization and the Politics of Stylized Time,” Ed Finn, Arizona State Univ.

2. “Excavating the Present: Richard McGuire’s Here and the Wayback Machine,” Alexander Manshel, Stanford Univ.

3. “Chris Ware and R. Crumb: From Data to Disgust,” Rebecca Clark, Univ. of California, Berkeley

4. “The Visual Universalism of Bing Xu’s Book from the Ground,” Lee Konstantinou, Univ. of Maryland, College Park

 

524. The Life of the Child’s Mind: Rethinking Education and Intellect in Literature for Young People

Saturday, 7 January12:00 noon–1:15 p.m., 106B, Pennsylvania Convention Center

Program arranged by the Children’s Literature Association

Presiding: David Aitchison, North Central Coll.

1. “Adolescent Fiction as a Boundary Condition: Exploring the Meaning of Reading in a Transitional Genre,” Elisabeth Rose Gruner, Univ. of Richmond

2. “Smart Equals Queer: The Intellectual Child in Sex Is a Funny Word,” Gabrielle Owen, Univ. of Nebraska, Lincoln

3. “Unbounded Time, Unbounded Intellect: A Teenage ‘Song of Myself’ in John Green’s Paper Towns,” Susan Leary, Univ. of Miami

 

 

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: