Graphic Narrative, Comics, and Temporality
Whether we consider the fragmentation of time in the Dr. Manhattan chapter of Alan Moore and Dave Gibbons’ Watchmen, or Art Spiegleman’s intermingling of his father’s WWII past with his present as narrator in Maus, rendering time as space has been one of the most unique and commented upon formal aspects of the graphic novel. More recent, innovative graphic narratives that deliberately foreground time include Richard McGuire’s Here and Chris Ware’s Building Stories.
This panel seeks new scholarly work on the representation of temporality in comics and graphic narratives, with a particular attention to the formal qualities of comics. Papers may address simultaneity, human vs. cosmic time scales, eruptions of the past into the present, sequentiality, seriality, or other experimental permutations of time in comics. Graphic narratives from other countries and traditions outside of the Anglophone world are welcome. Possible examples include Rutu Modan, Yoshihiro Tatsumi, and Oubapo cartoonists.
250-300 word abstracts & CV to mkuhlman@bryant.edu by March 4th. This is a guaranteed panel for the Forum on Comics and Graphic Narrative. Responses to individual submissions will be sent out by the end of March. All prospective presenters must be MLA members by early April 2016.